by Marcia Talley
In the late summer of 1994, a new mystery
conference made its quiet debut at St Hilda's College in Oxford, England. The
brainchild of mystery author Kate Charles and the college's former alumni
officer, Eileen Roberts, the St. Hilda's Crime and Mystery Weekend has for
almost twenty years, drawn mystery lovers from all over the world to the
tranquil banks of the River Cherwell.
The inaugural conference, “Queens of Crime,” focused on women mystery authors with Oxford connections, Dorothy L Sayers, Margery Allingham and Agatha Christie, an entirely appropriate topic for St. Hilda's which until recently was the only all women's college remaining in England. Indeed, Val McDermid is an “old girl” of the college and Margaret York was its librarian and a speaker at first conference. At the end of that first weekend, response was so overwhelming that Charles and Roberts decided to continue the conference the following year with “The Golden Age, Then and Now.” Topics in subsequent years have included “Murder in Academia,” “Men and Women in Blue,” “Partners in Crime,” “Mind Games, Psychology, Crime and Mystery,” and this year’s theme, “Stop, You’re Killing Me: Humor in Crime Fiction,” to name but a few. This year I was honored to share the stage with Alan Bradley, author of The Sweetness at the Bottom of the Pie, first in a series featuring the enchanting 11-year-old sleuth, Flavia deLuce. Later in the morning, Len Tyler spoke about Colin Watson, Barry Forshaw’s talk featured Alfred Hitchcock and his writers and the following day, after guest of honor Peter Lovesey’s hysterical talk, “Amazed Enquiry Sat on Her Face, And Other Embarrassments in Crime Fiction,” Gillian Linscott and Ann Cleeves wrapped up the conference with talks on the comic side-kick and the fine art of translating humor, respectively.
It is this themed approach which sets St. Hilda's apart from other mystery conferences. There's none of the usual panels of writers sitting around making thinly disguised sales pitches for their books. Speakers come by invitation only and deliver thought-provoking papers on aspects of the mystery genre relevant to the topic that year. For “The Historical Mystery,” for example, panelists were programmed chronologically: pre-medieval (Lindsey Davis); Medieval (Ellis Peters, Edward Marsden); Regency (the late Kate Ross, Molly Brown) up to Laurie King and Gillian Linscott who write the Mary Russell and Nell Bray suffragette series respectively. It is the skilled moderator/chair (Edward Marsden, Andrew Taylor, Robert Barnard and Natasha Cooper have been tapped for this several times) who ties the papers together and ably guides the question and answer session.
Papers are delivered in the acoustically perfect
surroundings of the Jacqueline duPre Music Building, and there's no overlap
between sessions so no one has to miss anything. It's this aspect of learning,
I think, that keeps bringing people back to St. Hilda's: We hear Julia Wallace
Martin talk about the relationship between manic depression and the creative
process; Val McDermid's historical overview of gays and lesbians in crime
fiction; Chris Ewan’s take on the comic caper novel; or Michelle Spring the
afternoon she first shared with the world her real-life nightmare as the target
of a stalker. It's a tribute to the quality of the conference that authors who
have attended St. Hilda's as participants continue to do so even if they
haven't been invited to give a paper.
This year, the conference’s organizers were presented with the
prestigious George N. Dove Award by the Popular Culture Association, in recognition of
their unique contribution to the study of crime fiction. It’s elite company. Last year's winner was P.D.
James.
The conference opens Friday night with a champagne
party on the college lawn which slopes gently down to the river. Just beyond
are the playing fields of Magdalen College and beyond that, the towering spires
of Oxford. Andrew Taylor marvels that there is no distinction between authors
and non authors at St. Hilda’s, none of the 'them and us' quality that distinguishes
many conferences—fans on one side, and performing authors on the other. Perhaps
because of its size—roughly 125 attendees —newcomers are made to feel welcome
and find it a good place for conversation. Nowhere is this more evident than at
the post-dinner Saturday night wine party in the Senior Common Room. Attendees
have been known to stay up until the wee hours, chatting away about crime
fiction or anything else that strikes their fancy.
Programs are punctuated by breaks for tea, coffee
and cookies, and a civilized drinks hour invariably precedes the Saturday night
dinner which has featured speakers like P.D. James, Colin Dexter, Val McDermid,
and Bob Barnard. I'm still laughing over the evening Simon Brett performed all
twelve roles for the world premier of Lines of Enquiry, a radio play “starring
Osbert Mint, Betti Morns and Bren O'Smitt.” (You work it out!) This year, Brett’s clever parodies of
Dylan Thomas, T.S. Eliot and Agatha Christie had the audience in stitches. I should mention that the food is
excellent, served family-style in the elegant, wood-paneled dining room and, as
a vegetarian, I appreciate the tasty vegetarian options.
Where else but St. Hilda's can you: —Dine at Somerville College and hear P.D. James talk about fellow alumna Dorothy L Sayers? —Sip sherry with Colin Dexter? —Take a walk along the High and stumble into a taping of Lewis? —Join in a Sunday morning punt race St. Hilda’s on the Cherwell, with Len Tyler, Val McDermid or Andrew Taylor manning the pole? —Pay your respects to tiny St. Cross, a medieval church tucked away in a nearly forgotten corner of Oxford, the church where Lord Peter married Harriet Vane?
Everyone lodges at the college in clean comfortable
rooms where “scouts” make up your bed each morning and electric kettles and the
wherewithal for making tea sit on your desk.
The return rate is high. American academic, Kathy Ackley, makes St. Hilda's a semi-regular stop on her annual British Mystery and Crime Writers tour and other folks, like me, use the conference as a hook upon which to hang an annual vacation to England. Anne Perry said it best: “The atmosphere at St. Hilda’s is civilized, physically beautiful … a gathering of old friends to discuss the things we are all interested in. It is effortlessly 'academic', one leaves feeling entertained, enriched, educated, and renewed to begin again on the art and the career we all love.”
Next year's theme is “From Here to Eternity: The Changing Face of Crime Fiction.”
The Conference will be celebrating its twentieth anniversary. Come help us celebrate!
Hi Marcia. Really enjoyed reading this and reliving the conference. As you say, St Hilda's is unique.
It was great to see you again. Hope to see you at St Hilda's next year, if not before.
Posted by: Len Tyler | August 27, 2012 at 11:52 AM
Len, it was GREAT seeing you and Ann again! And your talk was excellent. I'll be at St Hilda's for sure next year, God willin' and the creek don't rise as we say over here.
Posted by: Marcia Talley | August 27, 2012 at 11:55 AM
Marica, a wonderful overview. I've just submitted a grant app to help me get there for next year!
Posted by: Marni Graff | August 27, 2012 at 11:58 AM
Thanks, big Sis! Nice description! Love--Alison
Posted by: Alison Andrea Jacobs | August 27, 2012 at 12:13 PM
Marni, hope the grant comes thru. If not, rob a bank. ;-)
Posted by: Marcia Talley | August 27, 2012 at 01:31 PM
Oh, how I wish I could have been there this year, Marcia! Sounds like this was a good one. Maybe I can make it next year.
Posted by: Lucyeylesbarrow | August 27, 2012 at 02:02 PM
Thanks for sharing! Look forward to seeing you back in Annapolis.
Posted by: Ray Flynt | August 27, 2012 at 03:21 PM
What an incredible conference, Marcia. It sounds like so much fun. Congratulations on presenting a paper there.
Posted by: Elaine Viets | August 27, 2012 at 03:32 PM
Ahhhh. Every mystery lover's dream. Thanks so much for giving us a peek.
Posted by: Mary | August 27, 2012 at 05:52 PM
Thanks, Elaine. I was first on the program, so I could get my nerves over with and enjoy the rest of the conference. My paper was Comic Relief, Or What's So Funny About Murder?
Posted by: Marcia Talley | August 27, 2012 at 11:59 PM
Thanks, Marcia! You've conveyed the magic of this unique event perfectly.
Posted by: Kate Charles | August 28, 2012 at 12:26 AM
Kate, it's your and Eileen's vision that makes St Hilda's a standout among mystery conferencess. Very right and proper that you got the Dove award!
Posted by: Marcia Talley | August 28, 2012 at 01:32 AM
Thanks for this, Marcia - I'm a long-time St. Hilda's fan but couldn't make it this year. I so agree about the wonderful mixing of writers and readers; everyone just revels in having a whole weekend to talk about mysteries in beautiful surroundings...who could wish for more? See you next year!
Posted by: Jane Finnis | August 28, 2012 at 04:49 AM
Sounds fantastic!
Posted by: Laura Geyer | August 28, 2012 at 10:33 AM
You're absolutely right, Marcia. It's a unique conference for its setting its format, and the conviviality of the participants. A real delight!
I hope to return soon.
Posted by: Jim Napier | August 29, 2012 at 07:31 AM
Jim, it's been ages since I've seen you, so plan to return to Oxford soon.
Posted by: Marcia Talley | August 29, 2012 at 09:53 AM
I'll be there! Hadn't realized the conference will be 20 years old!
Posted by: G.M. Malliet | August 30, 2012 at 08:30 AM