I recently finished writing a book, the first in a new series.
And then I finished it again. And again. Each time, I thought it was done. But it wasn’t. I hope this is the final time I close the door on “Midnight Crossroad.”
After years of writing in the first person, I made the insane decision that my next book would be an ensemble novel, told from several different points of view. It was a decision that was easy to make, because I was longing to do something different. I gloated over the flexibility this would give me in telling the story of a group of people in a small Texas town. What I hadn’t counted on was the sheer difficulty in making sure each chapter was in one voice.
I finished the first draft a little late, but I had had the first two thirds of the manuscript read by Toni L. P. Kelner (aka Leigh Perry) and Dana Cameron, who are my trusted readers. They reported a few voice problems, and a few logical issues, so I rewrote accordingly. I felt I’d solved my problems as I plowed through the rest of the book. I sent those rewritten 200 pages to my editor at Ace, because she needed to begin working on the cover material and a description for the catalogue.
When I finished the manuscript completely, I sent it to my agent (Joshua Bilmes) and his assistant, Sam Morgan. Joshua expressed overall happiness, but he had some major quibbles, to my shock and dismay (I always hope it will be perfect!). He let Sam get specific.
I was not sticking to a point of view. I should find some way of designated who was running with the narrative during the various parts of the story, and that POV had to prevail until the baton was passed.
That meant a reorganization of the book. EEEEEEEKKK!
But after some bitter reflections on pride going before a fall, I saw it had to be done, and quickly, because the book was QUITE overdue. I thought very hard, and began my revision. Three points of view. They didn’t have to alternate, but they did have to be consistent. That meant the bits of narrative written in other voices had to be redistributed and rewritten. My mental file cabinet began to overflow.
In this time, my granddaughter was born. That assumed high priority for a few days, but then the book got its claws back into me. Since my usual editor had a medical issue, I emailed Susan Allison at Ace to tell her that I would have the revised book on her desk (which now means “in her computer”) by Sunday afternoon at the latest.
And I sent it off Sunday afternoon. I never hit the SEND button with such gusto. I learned a lot in the writing of this book, after thirty-four years of writing books. The first thing was: Don’t be afraid to challenge yourself, but don’t be surprised if that challenge turns out to be hard and sometimes unpleasant. The second was: After you finish the book, let it sit for three weeks before you revisit it. Even longer would be better. In the lag time between version number two and version number three, the book was out of my scope while I did other projects. And it was wonderful how much more clearly I could see what needed to be done when I opened the “Midnight Crossroad” file again.
But gosh, I hope I don’t have to rewrite that book again.