by Mary
Isn't it funny when you hear a new idea or unfamiliar word for the first time, and then within a day or so, you hear it again several times? Weird. The latest incident for me started a couple of weeks ago when Timothy Hallinan, author and all around good guy, came to town to do a booksigning and writers workshop.
He taught me a new word: Reticular. It refers to that part of our brains that filters the incoming barrage of information we're pummeled with each day and alerts our conscious minds to which bits are most important. So, if you've given special attention to a new subject or word, your brain thinks (and what else would it do), 'Ah. My person found this significant recently. I'd better mark it Top Priority and dispatch upstairs.' It goes into radar mode, searching for similar input among subsequent daily info barrages, making you notice the 'coincidence' of repetitions.
Mr. Hallinan explained that, in regard to writing, the reticular is activated when we are immersed in our writing projects, and we begin hearing things that are important to the development of those projects. I believe it. It's only when I'm fully preoccupied with the story that coincidental encounters start happening. I hear something, neurons start connecting dots in my head that were previously unaccessible. He also posited the theory that our books are perfect and complete already inside us. Our work then as writers is similar to shining a flashlight beam on small sections at a time. Heavy, dude.
Also in his talk, he mentioned the poet Randall Jarrell. This produced an immediate Boing in the old skull. Nobody talks about Randall Jarrell. At least, I haven't been around anybody who did so in a long time. Maybe never. I have several of his books of poetry gathering dust and cat hair on my shelves. (Mental note - search and re-read.)
Okay, so I'm driving down to Alabama, listening to a book on tape. It's 'Odd Thomas' by Dean Koontz. One of the minor characters is a teacher and writer. Guess who he quotes? Yep. Randall Jarrell. I nearly ran off the road. Hmm, not a likely pair, Dean Koontz and Randall Jarrell. That is just ... Odd.
I get to Mama's house. Her TV is on. The public station there is having a fund drive, and the program is a series of lectures by Dr. Wayne Dyer on what he calls the power of intention. I'm half-listening and half-talking about what the relatives are up to, when all of a sudden, I hear Dr. Dyer say '...reticular thinking.' Right. You have my attention, sir.
Though he didn't address writing, he said we can achieve personal goals, say, of being happy or being accepted by others, by putting our minds forward into that world we wish could be as if it were already true, and that the power of our intent will create that world. That's very similar to Mr. Hallinan's thoughts on immersing ourselves in our work. That is, if we jump into the thick of it, that act of intent activates our reticular radar which then works to bring more useful information to our project, things we recognize as important connections for our stories. Take a step toward your goal, and your brain conspires (co-inspires?) to make that goal happen.
Later on in Dr. Dyer's lecture, he talked about another subject, something of an echo of Mr. Hallinan's view about writers' books being complete and perfect in their heads before they're written. Dr. Dyer pointed out that humans are complete before they are born, that when we are only a microscopic dot of matter, that dot contains all the information needed - hair color, height, etc. - to make us fully grown adults. It's hard to fathom. Can a book be fully formed in the writer's mind before it's transcribed? I sure hope so. If only it was easier to yank that sucker out. That's one big dot. It would be some comfort, on those nights when it's tough going, to know the book exists and all I have to do is tune into the right frequency and keep my fingers moving.
Here are a couple of quotes from Julia Cameron, author of 'The Artist's Way' and other books on creativity and writing, that relate to these subjects:
"I focus on a certain situation, era, or locale, and it's as if I am tuned to a radio band. I meet people who know all about cartography if I am writing about maps. I set out to describe Magellan's world and a young waiter brings me a copy of Magellan's clerk's diary. Out of the diary one detail will strike me - the clerk kept a secret stash of raisins which kept him from getting scurvy - and that detail will trigger a whole character, even a whole world."
"My own experience is that somewhere about two-thirds of the way through a piece I suddenly see what the writing was driving at. I see the patterns that have been set up and I get an idea where everything is heading. This point is a scary one. Now that 'I' know what 'I' am doing, 'I' begin to worry that 'I' might not be able to pull it off."
I can't wait to head back home so I can finish listening to the Dean Koontz tape. If he talks about Magellan, it won't surprise me.